Кінематографічний код сучасної англомовної художньої прози: лінгвосеміотичний підхід

Abstract

The object of the study is cinematic codes in contemporary English fiction from a linguosemiotic perspective. The subject of our study is linguistic and narrative means of reflecting cinematic techniques in fiction. The present work involves the following specific methods of analysis: componential, linguostylistic, intersemiotic, as well as conceptual. The theoretical significance of the work lies in a systematic approach to the study of cinematic codes in fiction. The scientific novelty lies in the fact that previously intermedialitywas most often selected from literary texts and considered from a stylistic point of view. Due to the development of science and technology, and as a consequence of changes in culture and art that have led to new approaches and methods of research, intermediality is studied not only in literary texts but also in films.